On the occasion of his first visit to the UK in many years, Danto talks with historian and theorist of contemporary art Thierry de Duve, and philosopher Richard Shusterman. He is the author of many books including Analytic Aesthetics Blackwell, and Pragmatist Aesthetics: Part of Contested Territories: The three speakers have been in contact with each other prior to the event, and decided to give their presentations in order of seniority.
Following the conceptual creativity of his European colleagues, Danto coined the term to suggest that it is not possible to understand conceptual art without the help of the artworld, that is, the community of interpreters — critics, art curators, artists, and collectors — within galleries and museums.
There he asked himself a fundamental question: His answer was simple: Danto introduces the concepts of IT Imitation Theory in contraposition with RT Reality Theory to explain how to define art, especially referring to the avant-garde movement and the post-impressionist paintings.
The acceptance of post-impressionist painting as art required theoretical changes. To explain or show why these new works were art, a new theory of art was needed.
It can look like the exact object yet is easily recognized and distinguished from all others. The acceptance of post-impressionist painting involved a turn away from looking at paintings as solely imitative, which in a sense ignores their reality as objects, because of the greater interest in the real objects they represent.
It is not as if paintings were never recognized as real objects canvases covered with paint before post-impressionist painting; indeed, consideration of the formal elements of painting was certainly involved in IT.
But under RT, it became acceptable to look at paintings more on the basis of their formal properties, and less on the basis of the quality of their imitation or representation.
Danto claims that it is in terms of RT that we must understand contemporary art. He provides an example of how theory makes art possible: Though it is true of some paintings that they would not have been made if it were not for the development of certain ideas about painting, that development possibly motivated by earlier paintings which may or may not have had an explicit theoretical basis prior to their painting, Danto is talking about how such paintings are considered, and whether or not they are taken up into the art world.
So how is it that one can mistake an artwork for a real object? His paradigmatic examples are genuine beds made by Robert Rauschenberg and Claes Oldenburg.
Asking how one can mistake them for real beds, instead of artworks, is equivalent to asking what makes them artworks. It is a necessary condition for something to be an artwork that is can be the subject of such a sentence. Conclusion Danto coined the term Artworld to suggest that it is not possible to understand conceptual art without the help of the Artworld.
The Artworld is defined in its cultural context of the definition of art, or as an atmosphere of artistic theory. It created the notion that art is imitation of real objects yet not objects themselves, also creates the ability to discern art from that is which that should not be considered art.
The Journal of Philosophy.One of the twentieth century’s essential critical pieces, Danto’s essay explains how contemporary aesthetics is defined by institutions and communities that make up ‘the artworld.’ In , Arthur Danto was deeply shocked by a reproduction of Roy Lichtenstein’s The Kiss in Art in America: if a serious art journal published a comic.
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Influenced by Nietzsche, Hegel and Schopenhauer, the American art critic Arthur Danto () explored theories of representation, coined the term "artworld" Author: Arthur Danto. The essay "The Artworld" in which Danto coined the term “artworld”, by which he meant cultural context or “an atmosphere of art theory,”Adajian, Thomas., The Stanford Encyclopedia of Philosophy, London, Oct 23, Arthur danto the artworld essay help mice and men american dream essay, saku mantere dissertation abstracts essay history in in philosophy philosophy philosophy recapitulations study thank you for smoking movie analysis essay writemyessayz thesis dissertation repository teatro epidauro analysis essay sj perelman essays about life dell venue 8.