Career[ edit ] Burkhart was a student of Felix Salzer. Research[ edit ] Burkhart is known for work on the relations between Schenkerian readings, analysis of rhythm and meter, and implications for performance. Most of the compositions he discusses are for keyboard, especially Bach, Beethoven, and Chopin, but he has also written about opera Don Giovanni and song cycles Schumann's Liederkreis, Op. Burkhart introduces the term " Ursatz parallelism"  —when a motive in a small span of music foreground duplicates one covering a far longer span background --but because of its generality and the abstract nature of the Ursatz such a figure alone normally does not create significant motivic associations within a composition.
Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture.
Hidden agendas and the creation of community: Trial by dining club: Zon researches British culture of the long nineteenth-century, with particular interest in the relationship of music to evolutionary and theological thought.
This series disputes their validity through research critically reassessing our perceptions of the period. Volumes in the series cover wide-ranging areas such as composers and composition; conductors, management and entrepreneurship; performers and performing; music criticism and the press; concert venues and promoters; church music and music theology; repertoire, genre, analysis and theory; instruments and technology; music education and pedagogy; publishing, printing and book selling; reception, historiography and biography; women and music; masculinity and music; gender and sexuality; domestic music-making; empire, orientalism and exoticism; and music in literature, poetry, theatre and dance.Title / Author Type Language Date / Edition Publication; 1.
Nineteenth-century piano music: essays in performance and analysis: 1. Nineteenth-Century Piano Music: Essays in Performance and Analysis (PERSPECTIVES IN MUSIC CRITICISM AND THEORY, VOL 3) [David Witten] on ashio-midori.com *FREE* shipping on qualifying offers. Nineteenth-Century Piano Music clarifies some theoretical concepts, debunks some .
Nineteenth-Century Piano Music clarifies some theoretical concepts, debunks some longstanding myths, and above all, stimulates the reader's intellectual curiosity about the piano repertoire of the 19th century.1/5(1).
Anthology for Music in the Nineteenth Century, part of the Western Music in Context series, is the ideal companion to Music in the Nineteenth Century. Twenty-three carefully chosen works—including movements from a Beethoven quartet, excerpts from operas by Verdi and Bizet, piano music by Gottschalk, and a symphonic movement by Tchaikovsky.
Wolfgang Amadeus Mozart wrote 23 original concertos for piano and ashio-midori.com works, many of which Mozart composed for himself to play in the Vienna concert series of –86, held special importance for him. Nineteenth Century Piano Music: Essays in Performance and Analysis ed. David Witten. For those of us who are studio teachers, this textbook presents an aerobic workout for . Anthology for Music in the Nineteenth Century, part of the Western Music in Context series, is the ideal companion to Music in the Nineteenth Century. Twenty-three carefully chosen works—including movements from a Beethoven quartet, excerpts from operas by Verdi and Bizet, piano music by Gottschalk, and a symphonic movement by Tchaikovsky.
He is the editor of Nineteenth-Century Piano Music: Essays in Performance and Analysis (Garland Publishing, ), which includes his landmark analytical study of the Chopin Ballades. Born in Baltimore, Maryland, Witten received his early training at the Peabody Conservatory, and at the Rubin Academy of Music in Jerusalem.
the cambridge history of NINETEENTH-CENTURY MUSIC This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the ﬁeld.